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Pazuzu was an Assyrian and Babylonian demonic god of the first millennium BC. He normally has a dog-like face like here, and where his body is depicted he has a scaly torso, a snake-headed penis, the talons of a bird and usually wings. He is often regarded as an evil underworld demon, but he seems also to have played a beneficent role as a protector against disease-bearing winds (especially the west wind). He was closely associated with the demoness Lamashtu who stole babies from their mother's womb or when newly born. Pazuzu acted to counter her evil: he forced her back to the underworld. Amulets of Pazuzu like this were therefore placed in windows hung inside and out of dwellings, attached to bedroom furniture. Smaller versions were hung around the necks of pregnant women. Pazuzu Head Assyria Artifact The Exorcist Prop 4 X 2 inches Item is shipped United States only Standard ~ Flat Rate Shipping Service
The crystal skulls are a number of human skull models fashioned from blocks of clear or milky quartz crystal rock, claimed to be pre-Columbian Mesoamerican artifacts by their alleged finders. However, none of the specimens made available for scientific study were authenticated as pre-Columbian in origin. The results of these studies demonstrated that those examined were manufactured in the mid-19th century or later, almost certainly in Europe. Despite some claims presented in an assortment of popularising literature, legends of crystal skulls with mystical powers do not figure in genuine Mesoamerican or other Native American mythologies and spiritual accounts.
The skulls are often claimed to exhibit paranormal phenomena by some members of the New Age movement, and have often been portrayed as such in fiction. Perhaps the most widely known of such portrayals occurs in the film Indiana Jones and the Kingdom of the Crystal Skull.
One of archaeology's most compelling mysteries is that of the great 13 Crystal Skulls. Several "perfect" crystal Skulls have been found in parts of Mexico, Central and South America.
An old Native American legend tells of thirteen life-size crystal skulls, which are said to hold crucial information about humankind's true purpose and future destiny. The skulls would be discovered and their secrets revealed when the human race was sufficiently developed. The authors hear of this legend while in the jungles of Belize and set out on a quest to discover its truth.
"The Mystery of the Crystal Skulls" follows their journey from Maya temples to the British Museum, the Smithsonian, and to the crystal laboratories of Hewlett-Packard, where tests lead one scientist to conclude, "This {crystal} skull should not even exist." In the end, shamans and native elders reveal the sacred knowledge the skulls contain and answer the questions this enduring mystery raises:
Are the skulls artifacts from the lost civilization of Atlantis, or are they extraterrestrial in origin?
Made from piezo-electric quartz crystal, used in today's computers, are the skulls information storage devices?
Do they really posses telepathic qualities, allowing us to see deep into the past and predict the future?
What is the message they bring about future earth changes and the destiny of humanity?.
These skulls are believed to be between 5000 and 35000 years old. During early expeditions, archaeologists were told by locals that the skulls possessed magical powers and healing properties. However, people were unsure as to where they came from, or even why they existed. Some like to believe that these were remains from the lost civilization of Atlantis. Others like to believe these are fakes. And yet another group of psychics believe that these skulls have the capability to enable us to look into the past, present and future.
Historians and social anthropologists decided to find out more about the strange skulls. Very soon, they came across an ancient Indian legend saying that there had been thirteen crystal skulls of the Goddess of Death; they had been kept separately from each other under the strict control of pagan priests and special warriors.
Searches for more skulls started; some of them were found in museums and some in private collections not only in the USA, but in Mexico, Brazil, France, Mongolia, and in Tibet. There were more than 13 skulls found. However, not all of them were as perfect as Mitchell-Hedges- was. Very likely, those were just later attempts to create something similar to the original skulls that were believed to have been gifts by God to the people.
Many believe that Quartz as well as many other crystal forms hold the powers of paranomal and abnormal abilities. Some who have such skulls often use them for scrying. A crystal or crystalline solid is a solid material whose constituent atoms, molecules, or ions are arranged in an orderly repeating pattern extending in all three spatial dimensions. The scientific study of crystals and crystal formation is crystallography. The process of crystal formation is crystallization.
A carved crystal skull or a ball is a crystal or glass ball believed by some people to aid clairvoyance. It is sometimes known as a shew stone or even a glass onion, The art or process of "seeing" is known as "scrying," whereby images are seen in crystals, or other mediums such as water, and are interpreted as meaningful information. The "information" gleaned then is used to make important decisions in one's life (i.e. love, marriage, finances, travel, business, etc).
When the technique of scrying is used with crystals, or any transparent body, it is known as crystallomancy or crystal gazing.
The word crystal is derived from the ancient Greek word κρύσταλλος (krustallos), which had the same meaning, but according to the ancient understanding of crystal. At root it means anything congealed by freezing, such as ice. The word once referred particularly to quartz, or "rock crystal".
Most metals encountered in everyday life are polycrystals. Crystals are often symmetrically intergrown to form crystal twins.
Many crystal skulls are claimed to be pre-Columbian, usually attributed to the Aztec or Maya civilizations. Mesoamerican art has numerous representations of skulls, but none of the skulls in museum collections come from documented excavations. Research carried out on several crystal skulls at the British Museum in 1996 and again in 2004 has shown that the indented lines marking the teeth (for these skulls had no separate jawbone, unlike the Mitchell-Hedges skull) were carved using jeweler's equipment (rotary tools) developed in the 19th century, making a supposed pre-Columbian origin even more dubious. The type of crystal was determined by examination of chlorite inclusions, and is only to be found in Madagascar and Brazil, and thus unknown within the Aztec or Maya territories. The study concluded that the skulls were crafted in the 19th century in Germany.
The process of forming a crystalline structure from a fluid or from materials dissolved in the fluid is often referred to as crystallization. In the ancient example referenced by the root meaning of the word crystal, water being cooled undergoes a phase change from liquid to solid beginning with small ice crystals that grow until they fuse, forming a polycrystalline structure. The physical properties of the ice depend on the size and arrangement of the individual crystals, or grains, and the same may be said of metals solidifying from a molten state.
Which crystal structure the fluid will form depends on the chemistry of the fluid, the conditions under which it is being solidified, and also on the ambient pressure. While the cooling process usually results in the generation of a crystalline material, under certain conditions, the fluid may be frozen in a noncrystalline state. In most cases, this involves cooling the fluid so rapidly that atoms cannot travel to their lattice sites before they lose mobility. A noncrystalline material, which has no long-range order, is called an amorphous, vitreous, or glassy material. It is also often referred to as an amorphous solid, although there are distinct differences between solids and glasses: most notably, the process of forming a glass does not release the latent heat of fusion. For this reason, many scientists consider glassy materials to be viscous liquids rather than solids, although this is a controversial topic.
Mitchell-Hedges skull
Perhaps the most famous and enigmatic skull was allegedly discovered in 1924 by Anna Le Guillon Mitchell-Hedges, adopted daughter of British adventurer and popularist author F.A. Mitchell-Hedges. It is the subject of a video documentary made in 1990, Crystal Skull of Labaantun.[19] It has been noted upon examination by Smithsonian researchers to be "very nearly a replica of the British Museum skull--almost exactly the same shape, but with more detailed modeling of the eyes and the teeth."
Anna Hedges claimed that she found the skull buried under a collapsed altar inside a temple in Lubaantun, in British Honduras, now Belize. As far as can be ascertained, F.A. Mitchell-Hedges himself made no mention of the alleged discovery in any of his writings on Lubaantun. Also, others present at the time of the excavation have not been documented as noting either the skull's discovery or Anna's presence at the dig.
In a 1970 letter, Anna also stated that she was "told by the few remaining Maya, and was used by the high priest to will death". The artifact is sometimes referred to as "The Skull of Doom", either because of its seemingly inexplicable properties and the supposed ill-luck of those who have handled it, or perhaps a play on 'Skull of Dunn' (Dunn being an associate of Mitchell-Hedges). Anna Mitchell-Hedges toured with the skull from 1967 exhibiting it on a pay-per-view basis, and continued to give interviews about the artifact until her death in 2007.
The skull is made from a block of clear quartz about the size of a small human cranium, measuring some 5 inches (13 cm) high, 7 inches (18 cm) long and 5 inches wide. The lower jaw is detached. In the early 1970s it came under the temporary care of freelance art restorer Frank Dorland, who claimed upon inspecting it that it had been "carved" with total disregard to the natural crystal axes without the use of metal tools. Dorland reported being unable to find any tell-tale scratch marks, except for traces of mechanical grinding on the teeth, and speculated it was first chiseled into rough form, probably using diamonds, and the finer shaping, grinding and polishing achieved through the use of sand over a period of 150 to 300 years. Although various claims have been made over the years regarding the skull's physical properties, such as an allegedly constant temperature of 70°F (21°C), Dorland reported that there was no difference in properties between it and other natural quartz crystals.
While in Dorland's care the skull came to the attention of writer Richard Garvin, at the time working at an advertising agency where he supervised Hewlett-Packard's advertising account. Garvin made arrangements for the skull to be examined at HP's crystal labs at Santa Clara, where it was subjected to several tests. The labs determined only that it was not a composite (as Dorland had supposed), but was fashioned from a single crystal of quartz. The lab test also established that the lower jaw had been fashioned from the same left-handed growing crystal as the rest of the skull. No investigation was made by HP as to its method of manufacture or dating.
As well as the traces of mechanical grinding on the teeth noted by Dorland,[29] Mayanist archaeologist Norman Hammond reported that the holes (presumed to be intended for support pegs) showed signs of being made by drilling with metal. Anna Mitchell-Hedges refused subsequent requests to submit the skull to further scientific testing.
F. A. Mitchell-Hedges mentioned the skull only briefly in the first edition of his autobiography, Danger My Ally (1954), without specifying where or by whom it was found. He merely claimed that "it is at least 3,600 years old and according to legend was used by the High Priest of the Maya when performing esoteric rites. It is said that when he willed death with the help of the skull, death invariably followed". All subsequent editions of Danger My Ally omitted mention of the skull entirely. Eugène Boban, was the the main French dealer in pre-Columbian artifacts during the second half of the 19th century and probable source of many famous skulls
The earliest published reference to the skull is the July 1936 issue of the British anthropological journal Man, where it is described as in the possession of Mr. Sydney Burney, a London art dealer said to have owned it since 1933. No mention was made of Mitchell-Hedges. There is documentary evidence that Mitchell-Hedges bought it from Burney in 1944. The skull was in the custody of Anna Mitchell-Hedges, the adopted daughter of Frederick. She steadfastly refused to let it be examined by experts (making very doubtful the claim that it was reported on by R. Stansmore Nutting in 1962). Somewhere between 1988–1990 Anna Mitchell-Hedges toured with the skull.
In her last eight years, Anna Mitchell-Hedges lived in Chesterton, Indiana, with Bill Homann, whom she married in 2002. She died on April 11, 2007. Since that time the Mitchell-Hedges Skull has been in the custody of Bill Homann. As of June 2008, Bill Homann has not yet allowed testing of the skull.
British Museum skull
The crystal skull of the British Museum first appeared in 1881, in the shop of the Paris antiquarian, Eugène Boban. Its origin was not stated in his catalog of the time. He is said to have tried to sell it to Mexico's national museum as an Aztec artifact, but was unsuccessful. Boban later moved his business to New York City, where the skull was sold to George H. Sisson. It was exhibited at the meeting of the American Association for the Advancement of Science in New York City in 1887 by George F. Kunz. It was sold at auction, and bought by Tiffany and Co., who later sold it at cost to the British Museum in 1897. This skull is very similar to the Mitchell-Hedges skull, although it is less detailed and does not have a movable lower jaw.
The British Museum catalogs the skull's provenance as "probably European, 19th century AD" and describes it as "not an authentic pre-Columbian artefact". It has been established that this skull was made with modern tools, and that it is not authentic.
Paris skull
The largest of the three skulls sold by Eugène Boban to Alphonse Pinart (sometimes called the Paris Skull), about 10 cm (3.9 in) high, has a hole drilled vertically through its center. It is part of a collection held at the Musée du Quai Branly, and was subjected to scientific tests carried out in 2007–08 by France's national Centre de recherche et de restauration des musées de France (Centre for Research and Restoration of the Museums in France, or C2RMF). After a series of analyses carried out over three months, C2RMF engineers concluded that it was "certainly not pre-Columbian, it shows traces of polishing and abrasion by modern tools." Particle accelerator tests also revealed occluded traces of water that were dated to the 19th century, and the Quai Branly released a statement that the tests "seem to indicate that it was made late in the 19th century."
Smithsonian Skull
The Smithsonian skull was mailed to the Smithsonian anonymously in the 1980s, and was claimed to be an Aztec object by its donor and was purportedly from the collection of Porfirio Diaz. It is the largest of the skulls, weighing 31 pounds and is 15 inches high. It was carved using carborundum, a modern abrasive. It has been displayed as a fake at the National Museum of Natural History.
Mysteries of the Crystal Skulls Revealed
Buy it now!
The Crystal Skulls are considered to be one of the world's greatest mysteries. In this book you will discover information about 8 different crystal skulls, there mystical properties, experiences that people have had with them, their connection with the UFOs and many theories about their purpose and how they were made. This book is out of print but fortunately due to co-author Joshua Shapiro, he is making copies available. This book was a pre-cursor to the book written by Morton and Thomas in 1998 and contains many spiritual and esoteric insights about the crystal skulls. The book also contains over 40 pictures and illustrations, special information not found in any other book on the market. Get this book while the supplies last. Joshua Shapiro, one of the co-authors has recently appeared (April 2001) on Uri Geller's radio show and also in this month gave a presentation about the crystal skulls at Microsoft.
Paranormal claims and spiritual associations
Some believers in the paranormal claim that crystal skulls can produce a variety of miracles. Ann Mitchell-Hedges claimed that the skull she allegedly discovered could cause visions, cure cancer, that she once used its magical properties to kill a man, and that in another instance, she saw in it a premonition of the John F. Kennedy assassination.[46] In the 1931 play The Satin Slipper, by Paul Claudel, King Philip II of Spain uses "a death's head made from a single piece of rock crystal," lit by "a ray of the setting sun," to see the defeat of his Armada in its attack on England (day 4, scene 4, pp. 243-44).
Claims of the healing and supernatural powers of crystal skulls have no support in the mainstream scientific community. The scientific community at large has found no evidence of any unusual phenomena associated with the skulls nor any reason for further investigation, other than the confirmation of their provenance and method of manufacture.
Another novel and historically unfounded speculation ties in the legend of the crystal skulls with the completion of the current Maya calendar b'ak'tun-cycle on December 21, 2012, (PLEASE SEE 2012THETRUTH.COM) claiming the re-uniting of the thirteen mystical skulls will forestall a catastrophe allegedly predicted or implied by the ending of this calendar. An airing of this claim appeared (among an assortment of others made) in The Mystery of the Crystal Skulls,[49] a 2008 program produced for the Sci Fi Channel in May and shown on Discovery Channel Canada in June. Interviewees included Richard Hoagland, who attempted to link the skulls and the Maya to life on Mars, and David Hatcher Childress, proponent of lost Atlantean civilizations and anti-gravity claims.
Crystal skulls are also referenced by author Drunvalo Melchizedek in his book Serpent of Light [50]. He writes that he came across indigenous mayan descendants in posession of crystal skulls at ceremonies at temples in the Yucatan, which he writes contained souls of ancient Mayans who had entered the skulls to await the time when their ancient knowledge would once again be required. The book is a log of the authors experiences, which are related in a manner requiring suspension of judgment.
The alleged associations and origins of crystal skull mythology in Native American spiritual lore, as advanced by neoshamanic writers such Jamie Sams, are similarly discounted. Instead, as Philip Jenkins notes, crystal skull mythology may be traced back to the "baroque legends" initially spread by F.A. Mitchell-Hedges, and then afterwards taken up:
By the 1970s, the crystal skulls had entered New Age mythology as potent relics of ancient Atlantis, and they even acquired a canonical number: there were exactly thirteen skulls. None of this would have anything to do with North American Indian matters, if the skulls had not attracted the attention of some of the most active New Age writers.
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