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Taken from first-person accounts and historical documents, this book chronicles more than 300 examples of alien encounters, conspiracy theories, and the influence of extraterrestrials on human events throughout history. Investigating claims of visits from otherworldly creatures, aliens living among us, abductions of humans to alien spacecraft, and accounts of interstellar cooperation since the UFO crash in Roswell, this discussion of the theories and mysteries surrounding aliens is packed with thought-provoking stories and shocking revelations of alien involvement in the lives of Earthling
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The aswang phenomenon the Filipino vampire abd their many Philippine (Tagalog) Superstitions
There are around the world many strange legends of female vampire-like beings that prowl the night to prey upon the living. The bizarre, curious, differences in these types of creatures very much go against the European vampire myths to a large degree. These undead abominations are said to have the ability to at will detach parts of their upper body and go on the hunt for blood and human souls to devour. This type of vampire are very well the Philippines, Malaysia and Indonesia and the America's.
Many supernatural creatures in this world or believed to live off of the sole consumption of human blood or devouring souls. There are several vampire-like creatures in this world but nothing more notably different and unique than those in the Philippines: the Aswang, Mandurugo, Tiyanak, Penanggalan or 'Hantu Penanggal', Manananggal, Chonchon, Tlahuelpuchi and the Visayan manananggal ("self-segmenter").
Aswang, Mandurugo, Manananggal, and Tiyanak just to name a few...
The Aswang is one the most famous and notorious of these Philippine mythological creatures. The aswang is described most commonly as a living ghoul or vampire, an sometimes refered to as an actual eater of the dead. They are said to feast upon fresh corpses and most often eat the brain and the heart first. The brain is usually sucked out through the eyes sockets or ears. Though their ravenous hunger also stretches to the mortal attacks on living beings. These foul dark night creatures are also said to be shapeshifers. Not only shifting from a human to a aswang but also able to change into bugs, snakes, dogs and anything of their choosing.
Amalanhig are creatures in Visayan mythology, particularly among Hiligaynon speaking groups. Amalanhig are Aswangs who failed to transfer their monstrosity causing them to rise from their graves to kill humans by biting their necks. In order to escape from Amanlanhigs, one runs in zigzag direction since they can only walk in straight direction due to the stiffness of their body. One would also climb trees or high platforms enough to be out of their reach. One would also run into lakes and rivers since Amanlanhigs are scared of deep bodies of water. The Amalanhig are depicted as externally identical to humans, though there is an enlargement of the upper canines in most individuals. The Amalanhig is a variant of the vampire native to the Philippines.
There is also the (Agta) a black tree spirit or man. Filipinos also believed in the Dila (The Tongue), a spirit that passes through the bamboo flooring of provincial houses, then licks certain humans to death.
Abat Boroka or Mangalock. The abat is a variant of the vampire native to the Phillipines, notable for consuming the internal organs of its victim rather than their blood. The abat is vulnerable to salt and wood.
Filipino mythology also have fairies (Diwata and Engkanto), dwarfs (Duwende), Kapre (a tree-residing giant), Manananggal (a self-segmenter), witches (Mangkukulam), spirit-summoners (Mambabarang), goblins (Nuno sa Punso), ghosts (Multo), fireballs (Santelmo), mermaids (Sirena), mermen (Siyokoy), demon-horses (Tikbalang), (Hantu Demon), demon-infants (Tiyanak), and the (Wakwak) a night bird belong to a witch or vampire or the witch or vampire itself in the form of a night bird.
An Aswang (or Asuwang) is a mythical creature in Philippine folklore. The aswang is an inherently evil vampire-like creature and is the subject of a wide variety of myths and stories, the details of which vary greatly. Spanish colonizers noted that the Aswang was the most feared among the mythical creatures of the Philippines, even in the 16th century. The myth of the aswang is well known throughout the Philippines, except in the Ilocos region, which is the only region that does not have an equivalent myth. It is especially popular in the Western Visayan regions such as Capiz, Iloilo and Antique. Other regional names for the aswang include "tik-tik", "wak-wak" and "soc-soc".
"Aswangs" are often described as a combination of vampire and witch and are almost always female. They are sometimes used as a generic term applied to all types of witches, vampires, manananggals, shapeshifters, therianthropes, and monsters in general. Aswang stories and definitions vary greatly from region to region and person to person, so no one particular set of characteristics can be ascribed to the term. However, the term is often used interchangeably with manananggal, which is a particular creature with a specific set of features. They are often portrayed as a monster with wings which flap loudly when she's far away and quietly when she's nearer. The most popular original definition however, is that it is a bal-bal (maninilong in Catanauan, Quezon), an eater of the dead. After consumption, the bal-bal replaces the cadaver with banana trunks.
Typically, an aswang is revealed by using a bottle of a special oil extracted from boiled and decanted coconut meat and mixed with certain plant stems upon which special prayers being said. When an aswang comes near or roams around the house at night, the oil is said to boil (or froth into bubbles) and continue boiling until the aswang departs. Buntot pagi or stingray's tails, shiny, sterling silver swords, and images of old crones or grandmothers have been said to dispel their presence. The myth of silver weapons warding off evil creatures is probably taken from western mythology. Throwing salt at aswangs is also said to cause their skin to burn. This belief may stem from the purifying powers attributed to salt crystals by various traditions of witchcraft. Throwing semen at aswang is also said to irritate them. Along with semen, phallic objects are supposed to make the aswang terrified. Another way for dealing with aswangs is to keep a red pouch full of ginger and coins. The ginger will keep them away while the coins are used for preventing them from lifting you up. In the case of the Manananggal a half witch and vampiric like creature that takes the form of either an old or beautiful woman. During the full moon, the Mananangal would go to a secluded area to split itself into half and hunt for victims. A manananggal has a half monstrous, banshee type upper torso and head and it separates itself from its lower half (the torso) It is said if one finds its torso, to either sprinkle salt or sand on its lower half body or burn it, making it impossible for the creature to revert/ transform. And would die upon the first rays of sunlight. They say that you can determine if another human being is an aswang if you see your own reflection in their eyes as upside down.
The mandurugo is as any define it a direct variety of the aswang that takes the form of an attractive girl by day, and develops bat like or bird wings and a long, hollow, thread-snake like tongue by night. The tongue is used to suck up blood from a sleeping victim.
The wretched manananggal is described as being an older, beautiful woman capable of severing its upper torso in order to fly into the night with huge bat-like wings and prey on unsuspecting, sleeping pregnant women in their homes. They use an elongated proboscis-like tongue to suck fetuses from these pregnant women. They also prefer to eat entrails (specifically the heart and the liver) and the phlegm of sick people
The Malaysian Penanggalan may be either a beautiful old or young woman who obtained her beauty through the active use of black magic or other unnatural means, and is most commonly described in local folklore to be dark or demonic in nature. She is able to detach her fanged head which flies around in the night looking for blood, typically from pregnant women. Malaysians would hang jeruju (thistles) around the doors and windows of houses, hoping the Penanggalan would not enter for fear of catching its intestines on the thorns.
The Leyak is a similar being from Balinese folklore. In the folklore of Bali, the Leyak (in Indonesian, people called it 'Leak' (le-ak)—the Y is not written or spoken) is a mythological figure in the form of flying head with entrails (heart, lung, liver, etc.) still attached. Leyak is said to fly trying to find a pregnant woman in order to suck her baby's blood or a newborn child.
There are three legendary Leyak, two females and one male. Leyaks are humans who are practicing black magic and have cannibalistic behavior. Their mistress is 'the queen of Leyak', a widow-witch named Rangda, who plays a prominent role in public rituals. Her mask is kept in the village death temple and during her temple festivals, she is paraded. Besides leyaks, demons are said to be the followers of Rangda. Leyak are said to haunt graveyards, feed on corpses, have power to change themselves into animals, such as pigs, and fly. In normal Leyak form, they are said to have an unusually long tongue and large fangs. In daylight they appear as an ordinary human, but at night their head and entrails break loose from their body and fly.
Leyak statues (a head with a very long tongue and sharp fangs) are sometimes hung on a wall for house decoration. In real life, Balinese people sometimes attribute certain illness or deaths to leyaks.
A balian (Balinese traditional healer) will conduct a seance to identify with witchcraft who is responsible for the death. During the seance, the spirit of the dead will directly or indirectly point to his/her attacker. However, vengeance by the victim's relatives or family is usually counseled against, and people are advised to leave any action to the spirits themselves. Hence, the suspicions and fears of the family and relatives are confirmed, but revenge upon the witch is discouraged by the healers. The Leyak is prominently featured as the villain in the 1981 film Mystics in Bali.
A Kuntilanak or Matianak in Indonesia, or Pontianak or Langsuir in Malaysia, is a woman who died during childbirth and became undead, seeking revenge and terrorizing villages. She appeared as an attractive woman with long black hair that covered a hole in the back of her neck, with which she sucked the blood of children. Filling the hole with her hair would drive her off. Corpses had their mouths filled with glass beads, eggs under each armpit, and needles in their palms to prevent them from becoming langsuir.
For more info http://aswangmovie.com A scene from the DocuMovie 'Aswang: A Journey Into Myth'. Daila (Rosalynd Roome) is seemingly attacked by someone or something. Maria (Janice Santos Valdez) searches for her in the darkness.
The Penanggalan or 'Hantu Penanggal' is a peculiar variation of the vampire myth that apparently began in the Malay Peninsula, or Balan-balan in Sabah. See also the Manananggal, a similar creature of Filipino folklore. "Penanggal" or "Penanggalan" literally means "detach" or "remove". Both terms — Manananggal and Penanggal — may carry the same meaning due to both languages being grouped or having a common root under the Austronesian language family, though the two creatures are culturally distinct in appearance and behavior. There are similar myths of creatures with almost exactly the same features among the Balinese of Indonesia, where it is called the Leyak, in Thailand where it is called the Krasue, in Laos where it is the Kasu or Phi-Kasu and in Cambodia where it is the Ap. According to the folklore of that region, the Penanggalan is a detached female head capable of flying about on its own. As it flies, the stomach and entrails dangle below it, and these organs twinkle like fireflies as the Penanggalan moves through the night. Due to the common theme of Penanggal being the result of active use of black magic or supernatural means, a Penanggal cannot be readily classified as a classical undead being. The creature is, for all intents and purposes, a living human being during daytime (much like the Japanese Nukekubi) or at any time when it does not detach itself from its body.
In Malaysian folklore, a Penanggal may be either a beautiful old or young woman who obtained her beauty through the active use of black magic, supernatural, mystical, or paranormal means which are most commonly described in local folklore's to be dark or demonic in nature. Another cause where one becomes a Penanggal in Malaysian folklore is due to the result of a powerful curse or the actions of a demonic force, although this method is less common than the active use of black magic abovementioned. The Penanggalan is usually a female midwife who has made a pact with the devil to gain supernatural powers. It is said that the midwife has broken a stipulation in the pact not to eat meat for 40 days; having broken the pact she has been forever cursed to become a bloodsucking vampire/demon. The midwife keeps a vat of vinegar in her house. After detaching her head and flying around in the night looking for blood the Penanggalan will come home and immerse her entrails in the vat of vinegar in order to shrink them for easy entry back into her body. One version of the tale states that the Penanggal was once a beautiful woman or priestess, who was taking a ritual bath in a tub that once held vinegar. While bathing herself and in a state of concentration or meditation, a man entered the room without warning and startled her. The woman was so shocked that she jerked her head up to look, moving so quickly as to sever her head from her body, her organs and entrails pulling out of the neck opening. Enraged by what the man had done, she flew after him, a vicious head trailing organs and dripping venom. Her empty body was left behind in the vat. The Penanggal, thus, is said to carry an odor of vinegar with her wherever she flies, and returns to her body during the daytime, often posing as an ordinary mortal woman. However, a Penanggal can always be told from an ordinary woman by that odor of vinegar.
The Penanggalan's victims are traditionally pregnant women and young children. Like a banshee who appears at a birth rather than a death, the Penanggalan perches on the roofs of houses where women are in labor, screeching when the child is born. The Penanggalan will insert a long invisible tongue into the house to lap up the blood of the new mother. Those whose blood the Penanggalan feeds upon contract a wasting disease that is almost inescapably fatal. Furthermore, even if the penanggalan is not successful in her attempt to feed, anyone who is brushed by the dripping entrails will suffer painful open sores that won't heal without a bomoh's help. A Penanggal is said to feed on human blood or human flesh although local folklore (including its variations) commonly agrees that a Penanggal prefers the blood of a newborn infant, the blood of woman who recently gave birth or the placenta (which is devoured by the Penanggal after it is buried). All folktale's also agree that a Penanggal flies as it searches and lands to feed. One variation of the folklore however claims that a Penanggal is able to pass through walls. Other, perhaps more chilling, descriptions say that the Penanggal can ooze up through the cracks in the floorboards of a house, rising up into the room where an infant or woman is sleeping. Sometimes they are depicted as able to move their intestines like tentacles. This Penanggal has a beginning. It was known to start from a woman who was notorious in the medieval time. She had a face that only a mother would love. No man dare to put eyes on her and her femininity was repeatedly denied. Her hatred on married women with families and pregnant women became her rage of vengeance. She killed and murdered many innocents people during her rampage. She was tracked and caught to face punishment. People in those days had their own ways of passing deadly sentence. She was tied to hang on her neck to a tree and her legs were tied to a raging bull. Her neck was snapped away from her body leaving her head and intestinal organs dangling on that tree. The villagers shouted happily to see their ordeals ended after her death. Little did they know that they have unleashed the most deadly demon on the loose. That night the head went missing. The village was tormented by this Penanggal for seven deadly nights.
Unlike Manananggal, all Penanggal are females and there is no variation in Malaysian folklore to suggest a Penanggal to be male. Another notable difference between a Penanggal and Manananggal is that a Penanggal detaches only her head with her lungs, stomach and intestines attached while leaving the body before coming back and soaking her innards in a pre-prepared container filled with vinegar to fit back into the body. Additionally, unlike the Manananggal which uses a proboscis-like tongue, a Penanggal is commonly depicted as having fangs. The number of fangs varies from one region to another, ranging from two like the Western vampire to a mouthful of fangs.
The Chonchon, (of the language mapudungun and Spanish Chonchón) is a creature (considered a mythical bird) of the Mapuche mythology, and later also present in the Chilean folk myth and in southern Argentina.
The Chonchon is the magic transformation of the powerful kalkus (mapuche sorcerer), that knows the secret of the Kalkus, to become this feared creature. The kalku or the sorcerer would carry out the transformation in Chonchon being anointed by a magic cream in the throat that makes his head removed from the rest of the body, and his head become this creature. The Chonchon has the shape of a human head with feathers and talons; its ears, which are extremely large, serve as wings for its flight on moonless nights. Chonchons are supposed to be endowed with all the magic powers of and can only be seen by other kalkus, or by wizards that want this power. They are known for their cry of "tue tue tue" during their flights. The Chonchon is considered a mythical bird that announces "bad luck", and the form in that the kalkus use to carry out easily their wicked activities. The Kalku transformed in chonchon, also can drink the blood of sleeping people.
Belief in the vampire Tlahuelpuchi is prominent in the Mexican state of Tlaxcala, with deep roots amongst the indigenous Nahua culture of the region
The tlahuelpuchi is a type of vampire or witch that lives with its human family. It is able to shape shift and sucks the blood of infants at night. It has a kind of glowing aura when shape shifted. Tlahuelpuchi are born with their curse and cannot avoid it. They first learn of what they are sometime around puberty. Most tlahuelpuchi are female and the female tlahuelpuchi are more powerful than males. The tlahuelpuchi have a form of society. Typically they each have their own territories. They also have a pact with shamans and other supernatural creatures; a shaman won't turn in a suspected tlahuelpuchi. The typical sign that a victim was killed by the tlahuelpuchi are bruises on their upper body. The Tlahuelpuchi largely feeds on children, though it can kill others.
Tlahuelpuchi are able to change form by detaching their body from their legs (which are left in the house of the witch). They then go hunting, usually in the form of some bird like a turkey or a vulture. The tlahuelpuchi has to perform a ritual before she can enter the house of a victim. The tlahuelpuchi must fly over the house in the shape of a cross from north to south, east to west. Weaknesses Tlahuelpuchi must feed at least once a month on blood or they die. Their victim of choice is an infant. There is no way to detect a tlahuelpuchi except by catching them in the act. Their family protects them out of shame and because if a family member is responsible for the death of a tlahuelpuchi the curse will be passed down to them. The curse cannot be lifted, and if a tlahuelpuchi is identified, they must be killed on the spot. Garlic, onions and metal repel the tlahuelpuchi.
The Tiyanak (also Tianak or Tianac) is a creature which, in Philippine mythology, imitates the form of a child. It usually takes the form of a newborn baby and cries like one in the jungle to attract unwary travelers. Once it is picked up by the victim, it reverts to its true form and attacks the victim. Aside from slashing victims, the tianak also delights in leading travelers astray, or in kidnapping children.
Tiyanak. (cha-nak) The tiyanak is a little different from the other three. During daytime it takes the form of a newborn baby being “abandoned” in the woods with its innocent baby cry used to lure travelers and locals to pick them up and bring them in to their household. At night it transforms in to a vampiric version in to a baby or a little monster imp with fangs and claws and do their killing spree with their victims. While they do their hunting with their adult victims they also find delight in also leading travelers astray in the forest (which makes no sense to me… maybe to feed on them at night?). They would also use other ways of luring their adult victims by kidnapping their children (funnily enough the tiyanak don’t feed on children, but they do keep them in its lair unless the tiyanak is killed). Tiyanak creatures are told different by region. Many say that the tiyanak is actually the spirit of an unborn fetus that was aborted during pregnancy and was transformed in to this night hunting creature to seek revenge on the parents who aborted them. Another say that they are a spirit of an un-Baptized (as in Baptized to Christianity, Catholic, Protestant, whatever) baby who died before the Baptism sacrament was even performed. Others say that they’re merely little demons or imps, thus they refer to the tiyanak as demon child rather than a vampire.
Mantianak - Described as a baby with a long beard. Pregnant women who hear its cries end up miscarrying. Muntianak - A baby who died in the womb. Lives in the forest and terrorizes people.
While various legends have slightly different versions of the "true" form of the tiyanak, the stories all agree on its ability to mimic an infant, with its ability to imitate an infant's cries the most powerful tool for luring victims into its trap.
In some legends, the Tiyanak may take the form of a specific child. In its true form, there are varying differences of the tiyanak: In one version, it retains the general shape of a baby but then forms sharp claws and fangs to attack its kind-hearted victim. In another, it shares certain similarities with dwarfs and is similarly associated with the earth. In this version, the "true" form of the tiyanak is that of a little old man with wrinkled skin, a long beard and mustache, a flat nose and eyes the size of peseta coins. The same story says that a tiyanak is relatively immobile because its right leg is much shorter than the other. This deformity forces it to move by leaping rather than walking, making it difficult to hunt or stalk victims, but its ability to mimic an infant's cry compensates for this disadvantage. In yet another story it is seen supernaturally flying through the forest (still in the form of a baby) and in a legend from the island of Mindoro it transforms into a black bird before flying away  In another version from Pampanga, the tiyanak are described as small, nut-brown people who don't walk on the ground but rather float on air. They have large noses, wide mouths, large fierce eyes and sharp voices.
There are various theories on how tianaks came to being. The Mandaya people of Mindanao claims that the tianak is the spirit of a child whose mother died before giving birth. This caused it to be "born in the ground", thus gaining its current state. The Malay supernatural creature called Pontianak was a woman who died before giving birth. Another theory suggests that the tianak is formed from the soul of an infant which died before being baptized. A variant of this theory suggests that the tianak is an aborted fetus that returned from death to seek revenge on those who deprived it of life.
Various countermeasures are used against the tianak. Those that were led astray by the creature's cries can break the enchantment by turning their clothes inside out. The tianak finds the method humorous enough to let go of the traveler and go back to the jungles. Loud noises such as a New Year's celebration is enough to drive the tianak away from the vicinity. Aswang repellents like garlic and the rosary can also drive the tianak away.
The Pontianak, Kuntilanak, Matianak or "Boentianak" (as known in Indonesia, sometimes shortened to just kunti) is a type of vampire in Malay folklore and Indonesian mythology, similar to the Langsuir. Pontianak are women who died during childbirth and became undead, seeking revenge and terrorizing villages. The name “pontianak” is reportedly a corruption of the Indonesian or Malay “perempuan mati beranak”, or “she who has died in childbirth”.
In folklore, a Pontianak usually announces its presence through baby cries or assumes the form of a beautiful lady and frightens or kills those unlucky enough to come too close. It disguises itself as a beautiful young woman mainly to attract its victim (usually male). Its presence can sometimes be detected by a nice floral fragrance identifiable as that of the Plumeria, followed by an awful stench afterward. In his 1977 short story collection The Consul’s File Paul Theroux posits that the phantom is an invention of Malay wives who wanted to discourage their husbands from random sexual encounters with women that they met on the road at night.
It is also believed that a Pontianak is very likely to want to target certain female victims (in particular, those who are pregnant or in the childbirth process), and attempt to cause miscarriages as a form of revenge, due to that fact that they may have died as a result of dying during childbirth themselves. Gauging how far away a Pontianak is by its cries is very tricky. The Malays believe that if the cry is soft, it means that the pontianak is near, and if it is loud, then it must be far. Some believe that if you hear a dog howling, that means that the pontianak is far away. But if a dog is whining, that means the Pontianak is nearby. Some also say that mistaking a 'flash' of someone passing by may actually be the Pontianak 'moving' around. They are often described as a woman having very long black hair covering their faces, and wear a long white dress, while their legs and feet are not visible. A Pontianak kills its victims by digging into their stomachs with its sharp fingernails and devouring their organs. Pontianaks must feed in this manner in order to survive. In some cases where the Pontianak desires revenge against a male individual, it rips out the sex organs with its hands. It is believed that Pontianaks locate prey by sniffing out clothes left outside to dry. For this reason, some Malays refuse to leave any article of clothing outside of their residences overnight. Some believe that having a sharp object like a nail helps them fend off potential attacks by Pontianaks, the nail being used to plunge a hole at the back of the Pontianak's neck. It is believed that this will turn the Pontianak into a beautiful woman, until the nail is pulled off again. The Indonesian twist on this is to plunge the nail into the apex of the head of the kuntilanak. The Pontianak is associated with banana trees, and its spirit is said to reside in them during the day.
Langsuir is a version of Pontianak, popular in Malaysia as one of the deadliest vampires in Malay folklore. Different from the pontianak, which always appears as a beautiful woman to devour the victim, langsuir possess the victim and suck their blood from the inside, slowly killing them. It is believed that langsuir are women who suffered from laboring sickness (meroyan) and which resulted in the death of both mother and child in childbirth. Such a woman would turn in to a langsuir 40 days after her death. Portrayed as hideous, scary, vengeful and furious, the langsuir is further characterized as having red eyes, sharp claws, long hair, a green or white robe (most of the time), a rotten face with long fangs and the ability to fly. It is also believed that the langsuir has a hole behind its neck which is used to suck blood. If one puts the Langsuir's hair in this hole or cuts their claws, Langsuir will become human again. To prevent women from turning into langsuir, glass beads are put in the corpses mouth.
A jenglot is a type of mysterious creature or vampire in Indonesian culture and mythology. It is described as looking much like a tiny, living human doll. It is usually depicted as a mythical creature, sometimes seen in cryptozoology, and occasionally purported to have actually been a human body. It's appearance also resembles the Greek mythology's Medusa. According to an Indonesian legend, Jenglot was a ascetic who wanted to learn the "Ilmu Bethara Karang" or the way to eternal life. It also said to be a hermit whose worship demons and gain a certain power and ability. They say if a person with great supernatural power meditates in a certain cave, they'll become jenglo
Jenglot is believed to be found in Indonesia, especially in Java. They are mostly found by native psychics after they have performed a supernatural ceremony. Jenglots are said to be found anywhere, from under the ground, on a wrecked house roof, and even in the trunk of a huge tree.
Jenglot 'keepers' feed their creature with blood, either animal blood (goat) or human blood. Those who feed the creature with human blood buy it legally from the Indonesian Red Cross. The jenglot is said to not drink the blood directly. The person places the jenglot near the blood, but the jenglot doesn't even move or touch the blood. It is said that the jenglot will get the nutrients of the blood in their own way. Some say it comes alive and consumes the blood when it is alone.
In Indonesia there has been several "exhibitions" of jenglot specimens found and showcased. Most being found on the islands of Java and Sumatra, and are held as private collections of supernatural researchers and fans. Many were found to be hoaxes, being masterful taxidermist fixings of monkeys and fish, however, not all specimens were examined, and the jenglot is an actively believed myth that many natives believe to be real. People who have caught the jenglot usually bring their creature all over Indonesia to exhibit them in order to gain some money.
The Tagalog refer to a similar creature of Malayan origin called the Pananggalan meaning the severed head. It is described as a human head with hanging viscera, preying on newborn babies and pregnant women. Tik-tik is a bat-like creature. Some say a transformation of the aswang, while others say it is the aswang's familiar or servant. The name was coined from the sound it creates while flying. The Tik-tik eats the fetus in the mothers womb. Mansusopsop is a ghoul that preys on pregnant women. This creature hovers over rooftops and seeks out any opening for its long, thread-like tongue to pass through until it finds the stomach of its victim and sucks out the fetus and all the blood until its victim dies.
The krasue (Thai: กระสือ; sometimes also spelt 'Kra-Sue') is a certain female spirit of Southeast Asian mythology. This ghost has been the subject of a number of movies in the region, including Konm Eak Madia Arb (or Krasue Mom), a Cambodian horror movie which has the distinction of being the first movie made in the People's Republic of Kampuchea after the absence of locally-made movies and the repression of local folklore in Cambodia during the Khmer Rouge era.
The same spirit is part of the popular folklore in Thailand under the name Krasue, in Cambodia as and in Laos, as Phi-Kasu or Kasu. A similar spirit is also found in the traditions of the Malaysia and Indonesia, where it is called Penanggalan or Hantu Penanggal, as well as the Philippines, where it is identified with the local spirit Manananggal. The folklore also entered Vietnamese culture, as ma da, via tribal societies of Vietnam's Western Higlands.
A Krasue or Ap is a malevolent spirit appearing during the night. It manifests itself as a woman, usually young and beautiful, with her internal organs hanging down from the neck, trailing below the head. Since it has no lower body this spirit hovers in the air above the ground. The organs below the head include a length of intestine and are usually represented freshly daubed with blood. Her teeth often include pointed fangs in vampire-fashion.
It is believed that this spirit was formerly a rich person with a length of black gauze or ribbon tied around the head and neck as protection from the sunshine. The ghost originated with the possession of this woman by an evil spirit which turned her into a head suspended in the air with some internal organs hanging from the neck after the separation of the head from the body. This hungry ghost is always active in the night when it goes out hunting, seeking blood to drink or raw flesh to devour.
This ghost can prey on pregnant women in their homes just before or after the childbirth. It uses an elongated proboscis-like tongue to catch the fetus or its placenta within the womb and its sharp teeth to devour it. This habit, among other unmentionable things that this spirit does, is believed to be the cause of many diseases affecting mainly women during their pregnancy. Attacking pregnant women is a feature Krasue or Ap shares with the Filipina ghost Manananggal. In order to protect the pregnant women from becoming victims before birth, their relatives place thorny branches around the house. This improvised thorny fence discourages the Krasue coming to suck the blood and causing other sufferings to the pregnant lady within the house.
After the birth, the woman's relatives must take the cut placenta far away for burial to hide it from the Krasue. There is the belief that if the placenta is buried deep enough the spirit can't find it. To crush the still body which can be left sleeping or sitting is fatal to the spirit. The flying head will return after hunting but rejoin with the wrong body which will lead to suffer pain until death. The creature will die if the intestines get cut off or if its body disappears or gets hidden by someone. If the top part of the body fails to find the lower half before daybreak it will die if it does not rejoin the other half when sunlight comes. Some traditions believe that the creature can be destroyed by burning them alive.
The manananggal (sometimes confused with the Wak Wak in some areas by the Filipinos) is a mythical creature of the Philippines. It resembles a Western vampire, in being an evil, man-eating monster or witch. The myth of the manananggal is popular in the Visayan region of the Philippines, especially in the western provinces of Capiz, Iloilo, and Antique. There are varying accounts of the features of a manananggal. Like vampires, Visayan folklore creatures, and aswangs, manananggals are also said to abhor garlic and salt. They were also known to avoid daggers, light, vinegar, spices and the tail of a stingray, which can be fashioned as a whip. Folklore of similar creatures can be found in the neighbouring nations of Indonesia and Malaysia.
A manananggal is described as being a hideous, scary vampire-like creature (as opposed to an aswang), capable of severing its upper torso in order to fly into the night with huge bat-like wings to prey on unsuspecting, pregnant women in their homes; using an elongated proboscis-like tongue, it sucks the hearts of fetuses or the blood of an unsuspecting, sleeping victim. It is known to whip its hair in urban forests, causing hurricanes all over the globe. The severed lower torso is left standing, and it is said to be the more vulnerable of the two halves. Sprinkling salt or smearing crushed garlic or ash on top of the standing torso is fatal to the creature. The upper torso then would not be able to rejoin and will die at daybreak. The name of the creature originates from sinalalala used for a severed torso: manananggal comes from the Tagalog tanggal (cognate of Malay tanggal), which means "to remove" or "to separate". Manananggal then means "the one who separates itself" (in this case, separates itself from its lower body). It is a saying that a manananggal's attack can be avoided by death. The most prominent characteristic of a manananggal is its ability to dispatch its torso from its legs.
Different regions have different stories on how manananggals proliferate. One story relates that manananggals have black chicks in their throats, which provide them with their power. A manananggal cannot die until the chick is removed, which can be done by smoking the manananggal upside down in a tree or spinning her until she vomits the chick.
Another story says that heredity or contamination by physical or supernatural means can turn someone into a manananggal. For example, contaminating someone's meal with an old manananggal's saliva or human flesh can pass it on. A third story relates that a girl who later became a manananggal confided in her human boyfriend that she felt the urge to eat sick people's sputum.
The province of Capiz is the subject or focus of many manananggal stories, as with the stories of other types of mythical creatures, such as ghosts, goblins, ghouls and aswangs.
Ramos, Maximo D. (1990) . Creatures of Philippine Lower Mythology. Quezon: Phoenix Publishing. ISBN 971-06-0691-3.
Bunson, Vampire Encyclopedia, p. 197. ^ Hoyt, Lust for Blood, p. 34. ^ Stephen (August 1999). "Witchcraft, Grief, and the Ambivalence of Emotions". American Ethnologist 26 (3): 711–737. doi:10.1525/ae.1922.214.171.1241. ^ Bunson, Vampire Encyclopedia, p. 208.
Bunson, Vampire Encyclopedia
Jose Juan Paraiso (2003). The Balete Book: A collection of demons, monsters and dwarfs from the Philippine lower mythology. Philippines: Giraffe Books. ISBN 971-8832-79-3.
REAL VAMPIRES, NIGHT STALKERS, AND CREATURES FROM THE DARKSIDE By Brad Steiger
"THE BEST VAMPIRE BOOK OF OUR TIMES!" "IT'S GOT BITE!"
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"This book has a real bite on the reality of the undead today!"
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AT LAST THERE IS HOPE!
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Far more than a book that contains a number of frightening true accounts and a collection of truly magnificent original art, Real Vampires, Night Stalkers and Creatures from the Darksideexpands the definition of the vampire to include parasitic entities that enter our reality from the far reaches of the multidimensional universe to possess their victims and to feed upon their life essence and their very soul.
Real Vampires are not the undead, returning from crypt or cemetery plot to steal blood, the vital fluid of existence from the living. Although they may look like us—and when it serves their purpose they may skillfully impersonate us in order to deceive and to prey upon us—they have never been human.
Real vampires are parasitic, shape shifting entities that feed upon the energy, the life force, and the souls of humans.
From whatever dimension of time and space they may have originated, real vampires may be compared to an ancient, insidious virus that first infects, then controls its host body, causing it, in turn, to possess other victims, to form secret societies, blood cults, and hideous rituals of human sacrifice.
Regardless of the seductive aura of the vampire depicted in contemporary novels, films, and television series, none of these romantic transformations of an ancient menace to humankind portray real vampires. While the vampirism virus may infest handsome men and beautiful women, none of those infected have superhuman powers. Real vampires and those whom they possess are loathsome slashers, rippers, and murderers who do not promise immortality with their sensual “bite,” only a painful death.
Real vampires and their human hosts can walk freely in the light of day. The rays of the rising sun do not send them scurrying back to their coffins. Crucifixes do not cause real vampires to shrink back in fear.
Real vampires are the spawn of ancient entities such as Lilith, the seductive fallen angel, or of other paraphysical beings—such as the Jinn, the Cacodaemons, the Raskshasas, and the Nephilim—who have traversed the boundaries of time and space to prey upon humankind.
While this book focuses on the supernatural, the multidimensional, and the paraphysical beings who have interacted with our species since prehistoric times, we also visit the contemporary vampire community living among us today. Leading members of the vampire community share with us the basic findings and the extensive demographics of the Vampire and Energy Workers Research Survey for 2009. These "vampires" are not murderers, sociopaths, or supernatural beings. They are a subgroup within our society who are perhaps unique, but who are not after our blood.
Real vampires are immortal, and when the spirit parasite that has invaded a human body has tired of that fleshly residence, it dispassionately discards its temporary dwelling and possesses another, abandoning its former host to death and decay, rather than to an existence of attractive eternal youth and everlasting sexual prowess.
Although these entities cannot be killed, they can be driven away from their potential victims. We can resist them. We can become immune to their power. We can fight them and defeat them.
The notion of vampirism has existed for millennia; cultures such as the Mesopotamians, Hebrews, Ancient Greeks, and Romans had tales of demons and spirits which are considered precursors to modern vampires. However, despite the occurrence of vampire-like creatures in these ancient civilizations, the folklore for the entity we know today as the vampire originates almost exclusively from early 18th-century southeastern Europe, when verbal traditions of many ethnic groups of the region were recorded and published. In most cases, vampires are revenants of evil beings, suicide victims, or witches, but they can also be created by a malevolent spirit possessing a corpse or by being bitten by a vampire. Belief in such legends became so pervasive that in some areas it caused mass hysteria and even public executions of people believed to be vampires
It is difficult to make a single, definitive description of the folkloric vampire, though there are several elements common to many European legends. Vampires were usually reported as bloated in appearance, and ruddy, purplish, or dark in color; these characteristics were often attributed to the recent drinking of blood. Indeed, blood was often seen seeping from the mouth and nose when one was seen in its shroud or coffin and its left eye was often open. It would be clad in the linen shroud it was buried in, and its teeth, hair, and nails may have grown somewhat, though in general fangs were not a feature.
Many elaborate rituals were used to identify a vampire. One method of finding a vampire's grave involved leading a virgin boy through a graveyard or church grounds on a virgin stallion—the horse would supposedly balk at the grave in question.Generally a black horse was required, though in Albania it should be white. Holes appearing in the earth over a grave were taken as a sign of vampirism. Corpses thought to be vampires were generally described as having a healthier appearance than expected, plump and showing little or no signs of decomposition. In some cases, when suspected graves were opened, villagers even described the corpse as having fresh blood from a victim all over its face. Evidence that a vampire was active in a given locality included death of cattle, sheep, relatives or neighbours. Folkloric vampires could also make their presence felt by engaging in minor poltergeist-like activity, such as hurling stones on roofs or moving household objects, and pressing on people in their sleep.
Our licensed, Master Story tellers will weave you through the haunted shadows of the French Quarter and thrill you with tales of ghosts and vampires, , hauntings, pirates, voodoo, and more..
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Our guides are Master Storytellers, that means no matter which of our tours you join, your guide does a superior job of creating the atmosphere and feeling of his stories for your maximum enjoyment. Choose the French Quarter's Premier Walking Tour company for an exciting tour of Ghosts, Hauntings, History, Voodoo, Witchcraft, or a trip into our oldest active cemetery, 90 minutes of spellbinding fun that you'll love to tell your friends about. Our guides have been featured on the Travel Channel, The Discovery Channel, BBC World Services, A&E, ABC, NBC, Southern Living Magazine, Southern Weddings, Visions & Voices and many more.
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